Every Jodie Foster Movie Ranked Worst To Best

 It's impossible to pick just one favorite Jodie Foster performance. Ever since getting her start as a child actor in the 1970s, Foster has sustained a steady and prominent acting career that now spans decades. Her films cover countless genres and have seen her inhabiting characters ranging from an antagonistic nun to an FBI agent on the hunt for a serial killer and even the owner of a hotel for assassins. 

Embracing an unpredictable career path, not to mention an unwavering commitment to films that tackle heavy storytelling material, means you can never predict just what Foster is going to do next. Of course, given that she's appeared in well over 30 movies since the 1970s, not every title she's acted in has been a winner, but even her misfires tend to reflect commendable ambition.

These qualities make ranking all of Jodie Foster's movies from worst to best based on critical reception a daunting but exciting task. Engaging in these exercises reveals some obscure duds that Foster headlined in the 1970s and 1980s, but even more so, it makes it apparent that Foster has a remarkable track record for appearing in projects that are all, at the very least, memorable. It may be difficult to pick one Jodie Foster performance better than the rest, but it's quite easy to appreciate Foster's gifts as a performer, especially when ranking her acting credits from worst to best.

See also: https://zoomboola.com/biographies/biography-jodie-foster.html

 Siesta

"Siesta" was not a critically-acclaimed movie, but director Mary Lambert can hold her head high knowing that at least it wasn't a routine entry in the canon of poorly-received cinema. A 1987 mystery movie that paired up Jodie Foster with Ellen Barkin and Gabriel Byrne, "Siesta" made heavy use of dreamy sequences and experimental flourishes that made it undeniably distinctive. 

Janet Maslin of The New York Times summed it up well in her review of "Siesta" by noting upfront that the movie was bad but that its ambitious and unorthodox touches made it much more memorable than most other subpar pieces of cinema. Even with less than stellar marks, "Siesta" at least served as another example of Foster taking on movies that were anything but ordinary.